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Whore Train
Film & TV: Pop Tarts (The Boston Phoenix . 10-27-97) Pop Tarts From Fallen Woman To "Pretty Woman," Hollywood's Love Affair With Hookers By Peter Keough OCTOBER 27, 1997: "Whatever you desire," is the slogan for Fleur de Lis, the agency in L.A.Confidential that provides its clients with call girls "cut" to resemblesuch movie stars as Rita Hayworth and Lana Turner. It's an appropriate mottofor Hollywood itself, which has made its fortune by cutting images to fulfillits audience's desires, offering the illusion of love, life, and death to bevicariously enjoyed for the price of a ticket. Prostitution in Hollywood is asanitized, sanctioned whoredom where stars transform themselves into theforbidden or inaccessible dreams, wet and otherwise, of their voyeuristicclientele. Small wonder then that the world's oldest profession has always fascinated theyoungest art. From Gloria Swanson in the silent Sadie Thompson (1928) toKim Basinger as the Veronica Lake wanna-be in L.A. Confidential , themost glamorous of Hollywood's beauties have prostituted themselves -- perhapsin an effort to elevate the institution that uncomfortably resembles their own.They've allowed Hollywood -- and us -- to have it both ways: we can reject theforbidden fruit even as we ogle it on screen. It's a lot safer and cheaper tosavor, say, Julia Roberts's charms in Pretty Woman (1990) and rejoice inher fairytale redemption than try to achieve the same result on Berkeley Streeton a sordid Saturday night. The body of films about prostitution reflects our culture's uneasy andobsessive love/hate affair with the ultimate commodity. It's a catalogue of thefantasies -- not all of them male adolescent -- that adorn prostitution likecheap perfume and tawdry glad rags. One of the earliest and most persistent isthat of the fallen woman saved from her fate by the love of a good man. In theracier years of the classic studio period, before the 1934 Production Codeeliminated any reference to the unwholesome facts of life, Hollywood was freeto call a whore a whore and not label her with euphemisms like "party girl" or"actress." The studios were still obliged, however, to reform her or elsepunish her for her sins -- and ours. In Josef von Sternberg's Shanghai Express (1932), Marlene Dietrich's"Shanghai Lili" becomes a high-class courtesan cruising the China coast afterbeing dumped by her stuffy lover, British Army officer Clive Brook, for testinghis jealousy. They meet years later on the title train, which is then seized byrevolutionary warlord Warner Oland. Dietrich gets a chance to make up for herrough trade and tough-minded independence by offering herself to Oland inreturn for her ex-lover's eyes, which the warlord, in a Freudian moment, hasthreatened to put out. The timely intervention of another hooker (playedseductively by Anna May Wong) discloses and prevents Dietrich's sacrifice, andall ends respectably. Not so in John Cromwell's adaptation of Somerset Maugham's Of HumanBondage (1934). Bette Davis, in the role that made her a star, plays thewaspish, consumptive waitress who seduces aspiring artist/physician LeslieHoward. As her treachery and bitchiness intensify, her health and professionalstanding decline; she winds up as a broken streetwalker dying in a poorhouse.It's a chilling lesson not to cheat on pallid, club-footed dreamers; the ironyis that Davis is far more attractive, if not more sympathetic, than Howard. Like Dietrich in Shanghai Express , Hollywood's women of little virtueshow a strength, independence, and allure that's more appealing than appalling.Especially when compared with the milksop representatives of respectablesociety. That's why hookers so often serve to send up the hypocrisy ofestablished morality. In Rain (1932), Lewis Milestone's remake of Sadie Thompson , Joan Crawford plays a South Seas trollop whosewantonness exposes the repressed desire behind puritanical preacher WalterHuston's intolerance of the flesh. In Clarence Brown's adaptation of EugeneO'Neill's Anna Christie (1930), Greta Garbo talks for the first time onscreen and earns an Oscar nomination for her efforts as the fallen young womanof the title who returns to her ne'er-do-well seafaring father after beingabandoned 15 years before. What she did all that time to support herself isrevealed after a young sailor proposes to her -- but she's vindicated and thepatriarchal society that lowered her is condemned. Prostitutes became personae non grata once the Hays Office took over inthe mid '30s, so Hollywood called them showgirls, or the non-specified femmesfatales of film noir, or, in the notorious case of From Here to Eternity (1953), USO workers. With the easing of moral restraints in the '60s, however,hookers once again could speak their name on screen, ushering in an onslaughtof films whose changing take on the subject of prostitution is a coy history ofour society's attitudes toward sex, gender, power, and money. Elizabeth Taylor and Audrey Hepburn started things off timidly enough with Butterfield Eight (1960) and Breakfast at Tiffany's (1961), respectively. In Daniel Mann's diluted adaptation of John O'Hara's Eight , Taylor plays a "model" with a taste for rich men and late hours;she will abide being called a tramp, but she won't accept the $250 hersocialite lover Laurence Harvey leaves her. Neither will he leave his sexless,devoted wife for her, and Taylor is duly punished for offering Harvey andaudiences a sexy alternative to drab middle-class existence (she would berewarded later, with an Oscar). As Truman Capote's Holly Golightly in BlakeEdwards's Tiffany , Hepburn evades, briefly, the strictures ofrespectable housewifery by flittering on the fringes of Manhattan society,earning her keep from men by, it would seem, being witty and fascinating. Inneither film are the nuts and bolts of the actual business referred to: theheroine's lifestyle merely seems somewhat mysterious, maybe a littledepraved. But certainly enticing -- for women as well as men. There's the great clothes,the idle luxury, the independence (just like a James Bond film); there's alsothe lure of sexual experimentation, self-abasement, maybe even romance.Hollywood in the '60s contented itself with suggesting the forbidden appeal ofprostitution, but European filmmakers like Jean-Luc Godard with 1962's Vivresa vie (and, in a sense, every film he's made) and Luis Buñuel withhis deliciously perverse 1967 classic Belle de jour exploredprostitution both as a manifestation of repressed desire and as an allegory ofthe movie industry in particular and capitalist society in general. American filmmakers tend to be more idealistic, if not more naive. Especiallywhen they're trying to be hip, as they were in the late '60s and early '70s.One prostitution myth that evolved in this period was theknight-in-shining-armor scenario, in which the hero rescues the heroine fromthe wicked pimps who enslave her. In so doing he also frees himself from allhis unacknowledged inhibitions, which makes for a happy or at leastclarifyingly tragic ending. In Herbert Ross's The Owl and the Pussycat (1970), nerdy would-be writer George Segal is tossed together with unbearablyshrill call girl and actress Barbra Streisand. Think Pygmalion : heimproves her vocabulary, she screws him and teaches him how to be himself. The pattern is much the same if dicier in Alan Pakula's Klute (1971),as small-town policeman Donald Sutherland squires big-city call girl Jane Fonda(another hooker role that turned Oscar gold) for information about thedisappearance of a prominent acquaintance. His tight-lipped repressivenessdoesn't long withstand Fonda's frisky savoir faire, and his straight-arrowvirtue proves more therapeutic to her than her psychiatrist does. The formulagoes sour, however, in the uncompromising assault of Martin Scorsese's TaxiDriver (1975), in which Robert De Niro's lumpen Sir Galahad fuses squalorand chivalry to save an unwitting, pubescent Jodie Foster in one of cinema'smost astounding scenes of sparagmos . Too bad the knight syndrome didn't come to an end with Travis Bickle's killingspree -- we might not have had to endure the demeaning, vastly popular treacleof Garry Marshall's Pretty Woman (1990). Richard Gere is a corporatebuccaneer who dismembers companies and sells the fragments. Julia Roberts ismore in the corporeal line, and their chance merger is mutually beneficial asRoberts learns which is the proper fork to eat with and Gere learns to have agood time and stop being pissed off at his father. Needless to say, the brutal realities of both businesses are airbrushed --what's the deal with Roberts's drug-addict friend, for example? And yet thefilm is quite matter-of-fact about prostitution's capitalist nature. As suchit's another in a long line of films that explore the profits and losses ofwhoring. Leave it to Billy Wilder to come up with one of the first, the saucy ifoverlong Irma La Douce (1963), in which gendarme Jack Lemmon loses hisjob and his heart to Shirley MacLaine's Parisian trollop of the title. On therebound, he becomes her pimp, but since he cannot bear to have her sleep withanyone else, he disguises himself as a wealthy English lord who just wants toplay solitaire. The lord becomes her sole customer, and in order to pay her --in fact himself -- Lemmon must work nights in a meat market. After taking onthe roles of capital, labor, and the aristocracy, he's left too exhausted toenjoy the object of his desire. A similar critique of capitalism might be read from Robert Altman's McCabe& Mrs. Miller (1971). At the turn of century on the West Coast,entrepreneur and gambler McCabe, played with raffish insouciance by WarrenBeatty, joins forces with brothel keeper and opium addict Mrs. Miller, playedby a luminously besotted Julie Christie. Together they transform a sleepybackwater into a frontier boomtown, only to attract the interest of corporatehonchos back east. The film concludes with one of cinema's greatest sequences,one that is simultaneously lyrical, tragic, and epic -- a rapturous and somberimage heralding the end of the frontier spirit and the beginning of Americancorporate capitalism. In the age of Reagan, though, the corporate types are the heroes, not the badguys, so pioneer McCabe gets replaced by preppie self-promoter Tom Cruise in Risky Business (1983). Left home alone in his ritzy Chicago suburb,Cruise avails himself of the services of hooker Rebecca De Mornay and in shortorder turns the family home into a brothel. That annoys the lower-class scumwho are the girl's pimps, and after some misfortunes involving a Steuben eggand a Porsche in Lake Michigan, she gets reformed and he learns a lesson beforeheading off to Princeton, presumably to learn to become a corporate raider likeRichard Gere. Ron Howard's half-witted Night Shift (1982) plays the same theme offthe old pairing of love and death. Henry Winkler is a morgue attendant who'stempted by moronic colleague Michael Keaton to take advantage of the slowlate-night shift by setting up a brothel among the stiffs. All works well --the boys make money and the girls get health benefits -- but Howard, likeLemmon in Irma La Douce , falls in love with the merchandise, starstablemate Shelley Long. Then there's the requisite threat from thelower-class-scum pimps that want in on the action. Not to worry, though: thetrue love of heart-of-gold Long enables Winkler to shake off his middle-classrepressed self and his respectable eating-disordered fiancée and haveeverything his way (his sending back a sandwich he didn't order is a dramatichighlight). Recent Hollywood efforts have taken thisrespectable- folks- turning- brothel- keepers to new smarmy heights. Prostitutionbecomes not just as another business but a reflection of and cure-all for thedysfunctional family. In Mighty Aphrodite (1995), Woody Allen ickilymirrored his own tabloid-blazoned scandals as the father of an adopted childwho tracks down its natural mother in a misguided attempt to heal his troubledmarriage and tweak his Oedipal curiosity. That the mother is a whore -- ascatological Mira Sorvino winning an Oscar by imitating Minnie Mouse -- says asmuch about Allen's trouble with women as Hollywood's inveterate misogyny. The unholy mother/whore combination can be seen in flagrante in RichardBenjamin's Milk Money (1994). A trio of scampish suburban kids puttogether a hundred bucks in change and ride their bikes to the big city. Therethey employ bimbo Melanie Griffith to show them her tits and give them a ridehome. One of the more annoying tykes is determined to hook Griffith up with dadEd Harris, a widower devoted to saving "the wetlands." The traditional avengingpimp turns up, of course -- not lower-class, this time, but Eurotrash BritMalcolm McDowell. Yet this marriage of suburbanite complacency andtransgressive urban sass is as inevitable as Griffith's cleavage. Although vastly inferior, Milk Money is reminiscent of Jonathan Demme's Something Wild . And not just because both feature Melanie Griffith in asundress. In Demme's masterpiece, she's Lulu, the spitting image of LouiseBrooks's archetypal prostitute from the Pabst silent film of the same name.(This latter-day Lulu's profession is left ambiguous.) She pounces ondown-on-his-luck corporate executive Jeff Daniels, who's lost his wife,furniture, and very likely his job when Lulu lures him through the HollandTunnel and on the road to an America Charles Kuralt never encountered. With RayLiotta in his first and finest performance as a psychopath who shows Daniels aglimpse of the dark side, Something Wild is exactly that, a rollickingvoyage through comedy and melodrama that discloses the savage face beneathgenial stereotypes. Demme's film also reminds us that, at their best (which is not often),Hollywood's movies about prostitution serve as a bridge -- in the case of Something Wild , a tunnel -- between the respectable and the forbidden,the repressed and the desired. In Leaving Las Vegas (1995), NicolasCage's sodden screenwriter abandons the glitz of LA for the desert of the titletown. There, at the bottom of cases of bottles, he finds call girl ElisabethShue. They fall in love, but neither reforms the other: he'll drink himself todeath; she'll sell herself until she's no longer desirable. They offer us noconsolation, and neither does the film. It takes the sweet beauty and theangelic attentions of Shue, in her Oscar-nominated performance, to make anaudience embrace those brutal truths. Which is Hollywood's way of showing thata hooker's heart of gold is in fact our own heart of darkness. Prostitution Theory 101 - A Boston Phoenix article on hookers The Boston Phoenix's Movies Archives Peter Keough Archives Film & TV: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 © 1995-99 DesertNet, LLC . The Boston Phoenix . Info Booth . Powered by Dispatch
Pimp My Page
Redesigning My.Opera space tutorial - Index Page - My 0.02$ on Opera Community development - published by Ivan Minic - by My 0.02$ on Opera Community development RSS | ATOM | FOAF OPERA COMMUNITY Log in | Sign up Skip navigation . My 0.02$ on Opera Community development published by Ivan Minic Blog Archive Links Members About [Sign up] [Lost password?] User name: Password: -- Redesigning My.Opera space tutorial - Index Page By SerbianFighter . Saturday, 19. November 2005, 07:42:56 community , css , MyOpera I wrote 5 (IMHO) logical parts of modifying any Opera community space to meet your needs and desires... It is my personal recommendation that you read this parts one by one, and not to jump from one to another, at least if you are not experienced with CSS and you are reading it for the first time. In the first parts all the elements are explained, documented and 4 examples are added (code + screenshots), and in later parts you will only be directed to specific parts of main.css for your template to search and modify it yourself since all elements you might want to change have been briefly explained before. If you like this spotlight it Part 1: Header part of your My.Opera Space Title text, Subtitle text, Header image and menu background [ Link ] Part 2: Blog on My.Opera Post title, Sticky post mark, Post date and tags [ Link ] Part 3: Sidebar on My.Opera Blog Sidebar width, Sidebar captions, Calendar, Album slideshow, Coundowns [ Link ] Part 4: Other My.Opera Pages Profile, Friends, Links [ Link ] Part 5: Few last bits and pieces Footer, Page background and wraps on each side, Top menu and Opera community link, Links on any page, Comments, Quick profile, Tags [ Link ] Updates: - You really want to check these Headers: - 12/02/2005 - 10 Headers - Farm - dark colors - Link - 12/02/2005 - 10 Headers - Natural - dark colors - Link - 12/02/2005 - 10 Headers - Sport - dark colors - Link - 12/01/2005 - 10 Headers - Children - dark colors - Link - 12/01/2005 - 10 Headers - Exotic nature - dark colors - Link - 12/01/2005 - 10 Headers - Oceans and seas - dark colors - Link - 12/01/2005 - 10 Headers - Mixed elements - Dark colors [2] - Link - 11/30/2005 - 10 Headers - Mixed elements - Dark colors - Link - 11/30/2005 - 6 Headers - Rabbit related - Light colors - Link - 11/30/2005 - 10 Headers - Winter related - Light colors - Link - 11/30/2005 - 10 Headers - Sunset related - Dark colors - Link - 11/30/2005 - 10 Headers - Food related - Mixed colors - Link - 11/30/2005 - 10 Headers - Cat related - Mixed colors - Link - 11/30/2005 - 10 Headers - Dog related - Mixed colors - Link - 11/29/2005 - 10 Headers - 10 Dark Colors - Plain but nice - Link - 11/29/2005 - 10 Headers - 10 Colors - Plain but nice - Link - 11/29/2005 - 10 Headers - mixed collection - check it out - Link - 11/29/2005 - 5 Headers for those who love wildlife - dark headers - Link - 11/29/2005 - 5 Headers for those who love babies - light headers - Link - 11/29/2005 - 5 Headers for those who like birds - dark headers - Link - 11/28/2005 - 6 Headers for those who like dark styles - Link - 11/28/2005 - 6 Headers for those who like light - natural styles - Link Menu images: - 12/03/2005 - 6 Light colors - yellow - blue - pink - orange - green - rose - Link - 12/03/2005 - 7 Dark colors - red - blue - orange - green - violet - rose - etc Link Opera Community Icon: - 12/04/2005 - 18 transparent icons - Link Others contribution - 12/25/2005 - 36 headers by Joni Mueller - Link People who made heavy modifications to their blogs: Scipio - http://my.opera.com/scipio/ Jere Purmonen - http://my.opera.com/Jere/ trollop - http://my.opera.com/trollop/ Post-Scriptum This post, and this list will be updated with interesting ideas, possibly interesting font / color / graphics combinations for your personal space, so keep checking it Ivan Minic :: http://www.Burek.co.yu/ :: http://forum.Burek.co.yu/ Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- Just to make one thing clear... By SerbianFighter . Saturday, 22. October 2005, 09:42:07 About blog , community , opera I hope you don't mind few minutes, but I would just like to clear things up.. I'm a guy from a country that has ~ 150-200k internet users in total, from which probably 10% know more than to click "send and receve" in their mail client, and in this kind of envoirment I have managed to create internet forum (and we all know how forums are inpopular with "normal people") that has 65k users and 15-20k unique visits daily, without spending a penny on commercials (I probably would if I had any... here average salary is ~200$ so even paying for a dedicated server is a pain in the.... ) So... I'm not a person you should ask about making a milions, but I do know a thing or two about promotion, especially the good old guerilla way Just few small fast facts... I managed to persuade people to change from their "native" browser to Opera in quite a scale... I've been using it since 7.0 as my only browser, but have tried it before... Just to compare... Stats from last year on my forum show that 1.2% of users used Opera as their browser, today that number is about 8-11% from month to month I'm proud Though Firefox is still in front with ~15% Enough about me ... I love Opera and use it every day. I personaly find it the second most useful thing there is (after Google and before ICQ which I use since 98). The point of this qroup and this blog is not to say that Opera Browser or Opera Community is bad, it is just my way of expressing ideas how to make it better.. If you like them, I'm glad, if not, feel free to post better idea.. I'm a guy that spends approx 15-18h online daily, so my wishes and suggestions might not be suggestion that " average Joe " would make, but if anyone actually find this usefull among Opera Developers, feel free do implement or contact me to get detailed info about my thoughts... I'm writing this because in past I had few misunderstandings with people because of my me-tarzan-you-jane english. Ivan Minic Owner of Burek Forum Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- Suggestions: Possible abuse of resources... By SerbianFighter . Tuesday, 10. January 2006, 22:47:53 myopera , opera , suggestion Some topic not too long ago made me think about possible ways of abusing my.opera space... Lets talk just about bandwith abuse at this moment, comment and account spam is another thing. Now as far as I know you can hotlink almost anything hosted on my.opera personal space.. and that means that you can send a link to a friend but that also means that you can put a clip or a big zip or simply hires image couple of MB big and hotlink it from any other page and simply parasite from Opera's resources... and ok.. that is fine until it is resonable amout of resources... but there is 300 MB of space and ways of abuse are unlimited... Just few examples: 1. Upload 10 MB clip (funny video), hotlink it from an outside blog, submit it to few fun portals and you will have lets say 50 000 or 100 000 views of that video a day. That means 1 TB of bandwith would be killed in a day... or link usage would be (1 000 000 x 8 / 86400) ~ 9.23 Mbit per second.. 2. Upload 1.5 MB HiRes scan of some magazine photo.. upload 6 pics as an example of a photo shoot ... 9 MB total make a post on your forum or blog, submit it to couple of portals and blogs.. if approved that would get you approrx 20 000 - 30 000 unique visits = 270 GB daily or 3.125 Mbit per second. 3. Upload 25 MB zip / rar ... lets say demo album or legal or illegal music.. post it on few warez portals and it will get you 20 000 - 30 000 unique visits a day ... to cut the crap another 750 GB of bandwith or 8.68 Mbit. etc Ok.. some of these stuff are legal usage of my.opera space, some are not.. still.. all are possible to qet out with... I don't know how big link my.opera's servers have and what kind of abuse they can handle (from what I've seen lately, they can't handle normal everyday use) but these stuff are something you should try fighting against. For example.. you can upload a huge zip (tested yesteday) full of images for your photo album, than manually collect links and hotlink them from other place... why not try to make some sort of hotlink protection in folders album uses for storing files at least? I know there could be issues with refferer since some browsers including opera can block it and some firewalls can do it too.. but there must be a way of making it work... Also.. why not implementing page with capcha for downloading files bigger than 1 MB from my.opera files... also maybe put on that page "report illegal content" or something like that... hotlinking videos results as a redirect to a page where that video can be viewed but from my.opera.com not some other page... and so on... Anyhow this is a very serious thing, and I really believe that it should be on a to-do list for my.opera dev's To post your comments visit: http://my.opera.com/community/forums/topic.dml?id=119508 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- Logo ideas: Opera Browser / Opera Mobile / Opera Mini By SerbianFighter . Tuesday, 10. January 2006, 21:35:49 logo , opera , operamini Opera Browser Opera Mobile Opera Mini Once again.. these are just ideas.. they aren't drawn too good But the idea is there Prevous posts: Opera logo as I see it - mockup 2 ~ http://my.opera.com/WhyOpera/blog/show.dml/102695 Opera logo as I see it.. mockup ~ http://my.opera.com/WhyOpera/blog/show.dml/101674 My 0.02$ on Opera's logo / identity ~ http://my.opera.com/WhyOpera/blog/show.dml/100758 32x32 icon is there! (preview) - http://my.opera.com/WhyOpera/blog/show.dml/103874 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- 5 plain userbars By SerbianFighter . Saturday, 7. January 2006, 20:01:32 signature , userbar 10 older: http://my.opera.com/WhyOpera/blog/show.dml/95804 5 newer: http://my.opera.com/WhyOpera/blog/show.dml/96319 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- 6 New wallpapers By SerbianFighter . Saturday, 7. January 2006, 17:52:47 opera community , wallpaper See them full sized here Based on my Opera Logo / Icon mockup Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- 32x32 icon is there! (preview) By SerbianFighter . Friday, 6. January 2006, 15:59:28 icon , logo , opera Zoom 8x: Icons are there: BMP: OperaIcon.bmp GIF: OperaIcon.gif ICO: OperaIcon.ico Prevous posts: Opera logo as I see it - mockup 2 ~ http://my.opera.com/WhyOpera/blog/show.dml/102695 Opera logo as I see it.. mockup ~ http://my.opera.com/WhyOpera/blog/show.dml/101674 My 0.02$ on Opera's logo / identity ~ http://my.opera.com/WhyOpera/blog/show.dml/100758 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- Opera logo as I see it - mockup 2 By SerbianFighter . Wednesday, 4. January 2006, 21:33:11 logo , MyOpera , opera I'll say once again... I'm not too good ilustrator, but this is an idea with blue: and red and black and opposite Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- Opera logo as I see it.. mockup By SerbianFighter . Tuesday, 3. January 2006, 20:49:55 logo , opera community This is a very simple, not too well drawn and combined mockup, but the point is there... I'll try to make this better later. Part 2 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. -- My 0.02$ on Opera's logo / identity By SerbianFighter . Monday, 2. January 2006, 17:12:11 logo , MyOpera , opera I had to write this... This topic was the thing that made me start posting ( my first post ) on My.Opera forums and the thing that was lately talked about a lot ( main topic )... I'll try to sublime other's impressions and write my own... I took these 5 logos in comparison simply because they represent the most popular 5 browsers... Depending on country and type of website they change their orded, but all in all they pretty much always, everywhere hit top 5 spots. First ... non-troppo's critique Second ... dantist's quick fix Third ... EivindFS retouch Ok... now my point of view.... Sometime ago I play around with "the big O" so I made simple crystal retouch... People liked it pretty much.... Wallpaper: So.. then some of people asked if I could make clean white O from that... and so I did: Anyhow... This "logo" Isn't anything special, it is just a retouch of current style and I personally believe that new logo and identity should be changed.... How and why... take a look at this (just examples): We all know that the most important market in the IT world is US... And when you have (at least) 2 such giants as "the big O" there, how do you expect someone fight with them? Also.. 95% internet users are noobs... Does anyone actually think that big red roman style O is a real way of suggesting users "this is internet browser, click it!". I made a small test the other day on one computer (usually only used for internet by complete begginers)... I deleted all icons on desktop and installed Netscape 8, Firefox 1.5 and Opera 8... I counted how many people clicked on each of them to start using their internet.. 15 people... - 10 clicked Firefox. - 4 clicked Netscape. - 1 clicked Opera. Why did that one click on Opera... I asked him... He has Symbian phone with Opera preinstalled... And.. we are talking about "survey" in a country where lets say 5-7% people use Opera as their browser, and... that my friends.. is quite a lot. I asked some who clicked on FF and NN and these are some of their anwsers... FF : The Icon is so cool and shiny and all that.. FF : The Globe suggested to me that I should try that one... FF : I've heard / read about it... NN : The icon looked like N is wathing on earth... seemed logical... NN : My friend has email @netscape.net Ok... now let me show you logos that were submited lately as users suggestion: User suggested logos: Prodea: Opera.png rethompson808: opera_07.blue2.png PKO: Opera_03.png marcoledingue: opera-mask.png chris2000: logo-concepts.gif CaFFeinE: opera_speedy.png : opera_flames.png Willnight: Opera_id1-1.jpg idbeu: 3.gif momo2: opera_logo_redesigned.png trollop: OperaHumming-1.png : OperaHumming-2.png Jairo Boudewyn Opera 8 Icons 2.0 - [ Here ] Opera 8 Icons - [ Here ] Opera Morph Icons - [ Here ] Opera Browser 7.5 Icon 2.0 - [ Here ] Opera 7 - Generic Opera - [ Here ] Conclusion? Opera needs a new logo... A nice sleek, modern and easy to remember logo that will be related to internet, network and browsing. One logo suggested is IMHO very nice.. Opera Morph Icons - [ Here ] I think this kind of look is something Opera should coinsider... Maybe not exactly that logo, that color scheme (although red white and blue are so well together and are used in may flags around the world and so...)... What it should be .. we will see Update: + Opera logo as I see it. [Mockup] + Step 2 Syndication: RSS | Atom Write a comment You must be logged in to write a comment. If you're not a registered member, please sign up . User name: Password: SIGN UP My page is hosted by Opera Community . When you sign up you get access to post comments on my page aswell asall other pages hosted on my.opera.com. You also get access to free services provided by Opera Community, such as blogs and photo albums. The data you provide during the registration is safe with us, we do not share it with third parties. All fields are required: Username: Password: Re-type password: E-mail address: Please enter the characters shown in the image below: I agree to the terms Terms By clicking 'I agree to the terms', you warrant that you will not upload files that are obscene, vulgar,sexually-orientated, hateful, threatening, or otherwise violative of any laws. The owners of Opera communityhave the right to remove files and close any account for any reason. About Name: My 0.02$ on Opera Community development Group started Oct 2005 Members: 13 More » Latest blog entries Redesigning My.Opera space tutorial - Index Page Just to make one thing clear... Suggestions: Possible abuse of resources... Logo ideas: Opera Browser / Opera Mobile / Opera Mini 5 plain userbars 6 New wallpapers 32x32 icon is there! (preview) Opera logo as I see it - mockup 2 Opera logo as I see it.. mockup My 0.02$ on Opera's logo / identity January 2006 M T W T F S S Dec 2005 Feb 2006 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Opera Browser Download the Opera browser for abetter and safer Internet experience. Get your own blog at Opera Community
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blog.myspace.com/amoebamusic < Back MySpace.com | rss | sign in | sign up Amoeba Music Last Updated: Jan 6, 2006 Send Message Instant Message Email to a Friend Subscribe Gender : Female Status : Single Age : 18 Sign :Capricorn City : SAN FRANCISCO State : CALIFORNIA Country : US Signup Date : 07/28/04 My Subscriptions: luke Tuesday, September 13, 2005 Auction every Saturday at Amoeba Music for Hurricane Katrina Relief! AMOEBA MUSIC IS TAKING DONATIONS FOR THE GULF RELIEF EFFORTS! Donate at Amoeba and we'll match individual donations dollar for dollar! (up to a $1000) --- and--- EVERY SATURDAY AT 4PM we're holding Rock & Roll auctions for: CONCERT TICKETS! COLLECTABLES! RARE POSTERS! SIGNED COOL STUFF! & MORE!!! with ALL proceeds going to the relief effort. Come on down and get some cool items-while raising much needed funds!! check www.amoebamusic.com for auction details in the Hollywood and San Francisco Amoeba Music store. 7:30 PM - 1 Comments - 0 Kudos - Add Comment Amoeba Music We had a really great auction at the SF store this past Saturday. Our guest auctioneers, Michael Pettersen and Lynne Brady were just so truly amazing! Theyre my new heroes! The chemistry between the two was just as wonderful as it always is, but in rare form! I see an undiscovered comedy duo in the making. Or perhaps co-hosts of a new talk show. Aside from the obvious draw that folks have towards Lynne and Michael; their humor, hearts and smiles got people pumped and feelin' good about being able to contribute in some way, while also winning cool stuff! It was Michael's swift tongue and suave suit, along with Lynne Brady's sincerity and attention to detail ("...it's shiny!", "think of the puppies..."), that touched people and encouraged them to dig deep. We brought in almost $700 from this auction, and collectively, were raised almost $1400 towards the cause in about an hour! Now thats what I call action and response! Thanks to Craig Hermes for the generous donation... thanks for showing your faces and caring everyone! KP, you brought it! And what amazing model Brad Schelden was, I know that Styx t-shirt wouldn't have gone for the amount it did had you not been standing right behind it! Jessica, Kaitlin, Soari, Noelle, Don, Josh P, Sarah, Eddie, John Garcia, Glen, Zach, Dax, David A, Craig, Ben T, Tony Green, Brent, Mateo, All those who donated items for the auctions, friends of Amoeba, and everyone else who participated, bid, donated, listened, cared, and acted in some way - BIG HUGE THANKS! If you had fun, please come back. If you werent there, heres an idea of what we auctioned: Tickets to Iron & Wine w/Calexico A Leonard Nimoy tie As vs. Angels tickets Tickets to Tracy Chapman Tickets to Mars Volta A vintage 1977 Ramones tour poster, mounted and framed A White Stripes cardboard mobile AC/DC, Styx, Mile Davis & Cher t-shirts A Pee-Wee Herman sweatshirt A Kiss lunchbox A Simpons poster of all the characters A bundle of cassettes of Berlin, Cyndi Lauper, Tiffany Sorry, but I dont have any pictures of the action to share cause I was too busy bidding! More to come every Saturday at 4 PM in both SF and Hollywood! Posted by Amoeba Music on Sunday, September 25, 2005 at 10:16 PM [ Reply to this ] About | FAQ | Terms | Privacy | Safety Tips | Contact Myspace | Promote! | Advertise | MySpace Shop ©2003-2006 MySpace.com. All Rights Reserved.