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My Space
www.myspace.com/copy MySpace.com | Home The Web MySpace Help | SignUp Home | Browse | Search | Invite | Rank | Mail | Blog | Favorites | Forum | Groups | Events | Games | Music | Classifieds Videos | Directory | Search | Top Artists | Shows | Music Forums | Music Classifieds | Artist Signup Copy Pop / Electro / Other "i can support your habits" United States Profile Views: 2322 Last Login: 01/11/2006 View more pics Contacting Copy MySpace URL: http://www.myspace.com/copy Copy General Info Member Since April 2, 2005 Band Website mobiusbeard.com Band Members marius libman Influences dr. dre, pinback, kim hiorthoy, tortoise, cabaret voltaire, mr. oizo, tears for fears, yaz, soft pink truth, akufen, afx, ceephax acid crew, iron & wine, mu-ziq, the neptunes, herbie hancock, mouse on mars, electric light orchestra, air, burnt friedman, prince, squarepusher, metro area, fugazi, atom heart, quincy jones, timbaland, material, plaid, don caballero, miles davis, nice nice, kraftwerk, human league, pink floyd, raymond scott, amon tobin,jermain stewart, vera, sipho mabuse, trinere, jonzun crew, zongamin, NES game soundtracks Sounds Like a computer and a man hanging out and, you know, "getting to know each other". Record Label audiodregs Upcoming Shows ( view all ) Jan 13 2006 9:00P TRIPLE RELEASE PARTY!@Holocene for Bobby Birdman,Panther&Copy w/Truckasaurus PORTLAND, OR Feb 3 2006 8:00P nicky click, caught in candy & copy @ ACME portland, OR Copy's Latest Blog Entry [ Subscribe to this Blog ] [ View All Blog Entries ] About Copy HEY... i want to tell you some stuff: MY DEBUT cd/lp, titled MOBIUS BEARD, is coming out JANUARY 10th on audio dregs . also be on the lookout for a super-secret remix cd that'll come free with purchase at ozone eastside and for cheap at shows and elsewhere around down. ALSO COMING out JANUARY 10th is the Panther 12", titled YOURSELF, which features a remix by me (and also one by e*rock) and is going to be released by the jammin new label fryk beat . IN ADDITION, every friday from noon to 2 on pra radio 96.7 fm listen to dj bj and dj copy spin the jams. if you're out of listening range, the station is also available to stream on the interweb here . Copy's Friend Space Copy has 439 friends. e*rock Panther Atole Natalie Portman's Shaved Head e.r.don nice nice TALKDEMONIC Fleshtone View All of Copy's Friends Copy'sFriends Comments Displaying 50 of 87 comments ( View/Edit All Comments ) ___ Jan 7, 2006 05:55 PM ABSOLUTELY. ___ Jan 7, 2006 05:51 PM i've just got to say i love your stuff. a lot. please come to los angeles? desire Jan 6, 2006 11:04 PM i need my copy of copy! (i kill me) parrhesia Jan 6, 2006 09:48 PM deez some damned fine tunes son melissa Jan 4, 2006 11:58 PM is that a threat???? i will pick you up dude....it will be a great excuse to leave the beads for a bit. let me know the train .. so i can check the status and shit! don't forget tiny brothers 21st is on sat. hey, i remember your 21st b-day bash. remember when dan gave you an oatmeal cookie shot? yuck! melissa Jan 3, 2006 08:35 PM hi friend, what is the haps for this weekend? don't even worry... i am getting all the homies to come and dance with me! Richard Jan 1, 2006 12:03 PM nice tunes last night the arsenal of.. Dec 31, 2005 12:28 PM happy early new year's man. i hope this year brings you a lot of inspiration and awesome new work. cheers Elsa Dec 28, 2005 12:19 AM Did you teach Santa to suck nipples?!? Such a sweet innocent man......how could you do such a thing?!?! Who taught you to suck nipples........what the hell are you doing with yourself......do I have to make that call to your mother again.....??????????????? Elsa Dec 28, 2005 12:12 AM Why didn't you tell me that Santa is a nipple sucker? And why are we both online at this hour? FUCK!!!! chronic illness Dec 26, 2005 02:35 PM "I wish my dad could have been here to see me flying around and stuff" caught in candy Dec 24, 2005 03:19 PM THE TRUE MEANING OF X-MAS melissa Dec 24, 2005 02:19 AM get it gurl..anytime melissa Dec 23, 2005 12:44 AM see you tomorrow friendly friend HoTT PiNK Dec 21, 2005 10:31 PM The Daniel Show! Dec 20, 2005 07:18 PM Sorry guys...won't happen again marna Dec 19, 2005 04:18 PM it's the holiday hollaback season! which means we'll be seing you soon. to celebrate we can share the joy of both cam'ron's new album and the birth of christ. all at the same time. ohh yesss. melissa Dec 14, 2005 10:06 PM hey, can we come over for your release party? i'll bring snacks!!!! nudie adventure freeman Dec 14, 2005 07:29 AM maybe if you played some shows in fresno, california we could rumble already. jerk. e*rock Dec 11, 2005 03:12 AM i got the munchies "classic mix" instead. and then i eat out all the doritoes... Frost Dec 10, 2005 01:53 PM Steppin it up, ..as they say... melissa Dec 6, 2005 09:03 PM MY debut album is coming out and it's called "neutral colors look best on jews" the hot single is "purple rain causes pain (in the loins)" anyway..derek cried while he awaited your (non existant) call for breakfast. he hates you... And i am rolling to ny on the 19 of january..you coming or WHAT!!!!!! cass Dec 6, 2005 07:37 PM Hey you made my night, I mean week, ok year! thanks marna Dec 5, 2005 02:14 PM dipset bitches. you should come visit. caught in candy Dec 3, 2005 02:48 AM This boy's got some serious skills! emmabunny ♥ Dec 2, 2005 07:36 PM i miss you, mister marius. xoxoxoxo! Natalie Portman's Shaved Head Dec 2, 2005 04:10 PM Hunksicle is icy hot Shaun your brother is just icy cold Grandma Brian Dec 1, 2005 05:06 PM Upon further investigation, you may have one of my daughters. Just one. As a muse only pervo. New cd will make you king of the hill. So why would you want a homely one like mine anyway? nudie adventure freeman Nov 29, 2005 05:19 PM you got me. i'm all bark and no bite...but when we battle we'll see who laughs last. cup na cup Nov 29, 2005 02:03 AM Geah Bwah! Dass write!!! Manny Reyes Nov 28, 2005 08:31 PM All duh playas in duh house say Yeah! gmo Nov 28, 2005 08:17 PM i have no audio on my computer here, but i trust your music is good, you're a good-music type person aren't you. Grandma Brian Nov 27, 2005 02:00 PM Stay away from my hard rockin' metal cake. And my daughters you perv. desire Nov 26, 2005 09:11 PM "stay away from it?" more like "can't touch this" HOLY SHIT you are so awesome. e*rock Nov 26, 2005 09:08 PM That new song is raaaaaaaad! Basic Nov 21, 2005 09:35 PM Your music makes me feel sexy! Sexy_Robot_Music_DJs Nov 19, 2005 01:02 PM 2nite we're gonna rock the pod! nudie adventure freeman Nov 17, 2005 06:50 PM what happened to the rumble we were supposed to have? chicken out? melissa Nov 13, 2005 06:49 PM wooo weee new song! I likey Koto y Soto Nov 13, 2005 04:39 PM love Copy. loooooooooooooooooooooove. nudie adventure freeman Nov 7, 2005 08:50 PM well i was taught how to battle by amazon warrior queens AND ancient samurai masters. i think i can handle your puny battle cry. Michael Nov 7, 2005 12:20 PM TWO MORE MONTHS. I'm totally gonna find that shit leaked on the Internets next month, aren't I? desire Nov 5, 2005 06:06 PM looks like you've got competition: Ape Shape Nov 3, 2005 07:34 PM A five letter word that describes what Copy does. (Hint: rhymes with jewels and starts with the same letter as rad). Yeah Yeah Nov 3, 2005 04:07 PM HI CUTIE PIE!!!!!!!! HOW ARE YOU? THINKING OF YOU, MISSSING YOU AND VISITING YOU HOUSE AND SEEING YOU, BRIDGET AND MIKEY. DAMN I WISH I WERE THERE AGAIN. MAYBE ONE DAY. TAKE CARE HOMEBOY! Neighborhood DJ Nov 2, 2005 09:01 PM You throw down the muthafuckin jams. melissa Nov 1, 2005 07:34 PM party is on. check your messages and call me, fool. melissa Nov 1, 2005 12:18 AM you are a precious man and i can't wait to see you. Call me with the details of your arrival. we will hang birthday tough!!!!! chronic illness Oct 31, 2005 08:57 AM who sings along to don caballero? special people. melissa Oct 27, 2005 08:58 PM are you coming to my tape party or what fool...call me..call me now..... Add Comment About | FAQ | Terms | Privacy | Safety Tips | Contact Myspace | Promote! | Advertise ©2003-2006 MySpace.com All Rights Reserved.
Whore Train
Diary of The Food Whore: It's A Good Thing There Was An Open Bar Cooks rule. thefoodwhore@yahoo.com Texas Caviar For The Friend in Virginia, or was that Ohio? Lemon Drop Martini My Drink of Choice New York Social Diary Ina Garten My Friend Martha Nigella (Love Her!) Jamie Oliver Benjamin Christie Cooking in Austrailia My Friend in Bodily Harm - Veg DaMomma (Da Crazy Momma) Elizabeth Soutter Life Happens She Lives In Hawaii And I Am Bitter (That's my line, not the name of the blog) Fantabulous Designer - Echo Tiny But Fierce Accidental Hedonist Culinary Epiphanies Dr. Alice Dooce Spiritual Ammo Function Junction This Fish Needs A Bicycle Vinography Grasp & Place Social Graces I Bet She Heard My Burp How Embarassing. It's A Good Thing There Was An Open Bar Turning The Tables? When Money is No Object New Look, New Stuff, Same Sarcastic Attitude. Better with Age...or was that Bitchier? So Many Great Blogs! Christmas (1) Costco (1) Deli Girl (1) Etc. (6) Fabulousness (3) Food (8) Holidays (1) Home (2) Just My Luck (1) Klutziness (7) People (6) Quest for Knowledge (1) Quirks (2) Thanksgiving (5) The Blog (2) The Car (1) The Family (7) The Grocery Store (5) The World (1) Tricks (23) Winter Storm Watch 2005!! (1) February 2005 January 2005 December 2004 November 2004 October 2004 September 2004 August 2004 July 2004 June 2004 May 2004 April 2004 March 2004 © 2004-2005 The Food Whore Photo by gsgs Design by Creative Echoes Turning The Tables? | Main | How Embarassing. It's A Good Thing There Was An Open Bar February 06, 2005 So we're milling about the reception room last night bidding on silent auction items when The Sister leaned over and asked, "Do you smell something burning?" I did. I had noticed it earlier, actually, and did a quick case of the tables to make sure the candles weren't fire jumping creating a case of possible mayhem. But it wasn't the candles. I took a sip of champagne and nibbled on my slice of brie and replied, "I think they have burned something we're about to eat and I am starting to re-think my logic in not taking more grapes of the champagne table for fear of looking like a pig." At the same time The Super Hyper Friend approached and asked, "Do you smell something..." With that, The Sister and I raised our eyebrows and tilted our heads in the direction of the kitchen. It all started out earlier in the day when I was doing a final check on the seating arrangements when The Competitive Caterer was there setting up the buffet stations. I smiled and said hello and got nothing in response. The Event chairperson was standing next to me and said, "I think you just got snubbed." "I did, indeed." "Bad blood?" "Oh, no. I think it's more of a mind game. He's trying to get the upper hand in attitude." "He's trying to beat you at the Attitude Game?" "Yeah." "And he's met you, right? I know very few people with as much attitude as you - and I mean that as a compliment." "No you don't." "You're right, I don't. But it is part of your charm." "Oh I think so, too." So the afternoon went on and just before I left to go home and get ready for the evening, I took one last opportunity to be nice. I said the tables looked fantastic and I couldn't wait for all the great food. I got nothing in response. So by the time I came back a few hours later I could smell a hint of burned something in the air, which is when I did my candle check. It dawned on me as I was walking passed the kitchen entrance that the smell was wafting into the dining room from there. And honestly, my heart fell. Not out of selfishness fearing that my food would be icky. But because anyone who's ever been in food service understands that shit happens - and it happens at the most inopportune times. Things burn, breakers blow and ovens die, things get dropped and broken. It's the nature of the business that most nights can run as smooth as silk and then there are nights that you can't even get the damn can opener to work. And I reminded myself that mocking those who ride the same train will only come back to haunt you. But then I saw The Competitive Caterer again and again I smiled, and again I got nothing. So I thought, "screw it - game on." Now - before I go on - let me say that the percentage of people who can't control themselves at a buffet is about 2 in every 10. And what I mean by, "cant' control themselves" is that they can't seem to get the main concept behind a simply tool like a tong and they throw food all over the damn table. So you almost need one person just overlooking tables and reaching in to clean up around the serving pieces just to keep it from looking like breakfast time at a frat house. It's also something we spend a lot of time bitching about in the kitchen. And as I saw last night, this group was no exception. Except The Competitve Caterer didn't have someone watching over the table to clean up the spills because it was a mess. It looked like The Tazmanian Devil had touched down in the salad greens and then took a swan dive into the mushroom sauce. Which, I later found out, was the offending burning smell coming from the kitchen. Beyond that, the beef was cold, the vegetables over done, and the breads were dry. And everyone at my table agreed that it was a good thing there was an open bar. And then I felt bad because God - it can happen to anyone. Your worst fear is that you'll run out of food or it will just be bad. And no matter how many times you do it and now matter how confident you get you keep that fear in the front of your brain so as not to get so cocky that you do dumb things like burn the mushroom sauce. As the night went on I observed that I was not the only one being snubbed and treated poorly. It became clear to me that The Competitive Caterer must not have received the memo from Whore School that stated you must always save the bitching for the kitchen and put on a big smile when your everywhere else. Pick only on the unruly and use every ounce of charm you have when dealing with the rest. And remember to always be on your best game in case someone in the room has a blog. Posted by Foodwhore at February 6, 2005 09:16 PM Well fine job for not pointing at him and shouting loser for all of the party to see. I mean in that guys neck! Who is able to work with, live with, drink with, party with, the people in our industry, and still have such a lack of respect. Civility is at the core of our industry. You say hello to the line when you clock in, you say hello to each wait and manager as you first see them during your day. If you were in a fist fight with the bus boy the night before, you still say hello and act like professionals while you have your jobs to do. But to snub another person who does the same job you do, twice in the same night? WTF? Don't think twice about posting his schoolyard behavior here. I would have put my hand to his chest to shake, then complimented his sauce and his "laser sharp" skills in overseeing the kitchen on such a well attended night. That was karma knocking on his door for some past due collections. I am enjoying your posts, keep it up. Paul Posted by: Paul at February 6, 2005 11:15 PM Sounds to me like their lack of class was reflected in the quality of their product - both food and service. Unfortunate for the customer who hired them and unfortunate for the guests. Posted by: HomefrontSix at February 7, 2005 08:01 AM Isn't it fun to know that you can be a whore, but that you are a high class whore vs. a competitive, charmless cretin? Looks like we know who WON'T be catering their next event! Posted by: veg4me at February 7, 2005 11:47 AM I never fail to leave your site without a deep chortle or three at every post. You are simply amazing. Don't stop !! Posted by: Alder at February 7, 2005 08:30 PM I hope you handed out business cards!! Posted by: Dr Alice at February 8, 2005 05:33 PM What a great post! I love your writing, and can't wait to read more of you. Thanks for activating my sense of humor during the early-morning, gotta-go-to-work coma... Posted by: Fingerineverypie at February 9, 2005 03:35 AM Powered by Movable Type 3.15
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Whore Train
Film & TV: Pop Tarts (The Boston Phoenix . 10-27-97) Pop Tarts From Fallen Woman To "Pretty Woman," Hollywood's Love Affair With Hookers By Peter Keough OCTOBER 27, 1997: "Whatever you desire," is the slogan for Fleur de Lis, the agency in L.A.Confidential that provides its clients with call girls "cut" to resemblesuch movie stars as Rita Hayworth and Lana Turner. It's an appropriate mottofor Hollywood itself, which has made its fortune by cutting images to fulfillits audience's desires, offering the illusion of love, life, and death to bevicariously enjoyed for the price of a ticket. Prostitution in Hollywood is asanitized, sanctioned whoredom where stars transform themselves into theforbidden or inaccessible dreams, wet and otherwise, of their voyeuristicclientele. Small wonder then that the world's oldest profession has always fascinated theyoungest art. From Gloria Swanson in the silent Sadie Thompson (1928) toKim Basinger as the Veronica Lake wanna-be in L.A. Confidential , themost glamorous of Hollywood's beauties have prostituted themselves -- perhapsin an effort to elevate the institution that uncomfortably resembles their own.They've allowed Hollywood -- and us -- to have it both ways: we can reject theforbidden fruit even as we ogle it on screen. It's a lot safer and cheaper tosavor, say, Julia Roberts's charms in Pretty Woman (1990) and rejoice inher fairytale redemption than try to achieve the same result on Berkeley Streeton a sordid Saturday night. The body of films about prostitution reflects our culture's uneasy andobsessive love/hate affair with the ultimate commodity. It's a catalogue of thefantasies -- not all of them male adolescent -- that adorn prostitution likecheap perfume and tawdry glad rags. One of the earliest and most persistent isthat of the fallen woman saved from her fate by the love of a good man. In theracier years of the classic studio period, before the 1934 Production Codeeliminated any reference to the unwholesome facts of life, Hollywood was freeto call a whore a whore and not label her with euphemisms like "party girl" or"actress." The studios were still obliged, however, to reform her or elsepunish her for her sins -- and ours. In Josef von Sternberg's Shanghai Express (1932), Marlene Dietrich's"Shanghai Lili" becomes a high-class courtesan cruising the China coast afterbeing dumped by her stuffy lover, British Army officer Clive Brook, for testinghis jealousy. They meet years later on the title train, which is then seized byrevolutionary warlord Warner Oland. Dietrich gets a chance to make up for herrough trade and tough-minded independence by offering herself to Oland inreturn for her ex-lover's eyes, which the warlord, in a Freudian moment, hasthreatened to put out. The timely intervention of another hooker (playedseductively by Anna May Wong) discloses and prevents Dietrich's sacrifice, andall ends respectably. Not so in John Cromwell's adaptation of Somerset Maugham's Of HumanBondage (1934). Bette Davis, in the role that made her a star, plays thewaspish, consumptive waitress who seduces aspiring artist/physician LeslieHoward. As her treachery and bitchiness intensify, her health and professionalstanding decline; she winds up as a broken streetwalker dying in a poorhouse.It's a chilling lesson not to cheat on pallid, club-footed dreamers; the ironyis that Davis is far more attractive, if not more sympathetic, than Howard. Like Dietrich in Shanghai Express , Hollywood's women of little virtueshow a strength, independence, and allure that's more appealing than appalling.Especially when compared with the milksop representatives of respectablesociety. That's why hookers so often serve to send up the hypocrisy ofestablished morality. In Rain (1932), Lewis Milestone's remake of Sadie Thompson , Joan Crawford plays a South Seas trollop whosewantonness exposes the repressed desire behind puritanical preacher WalterHuston's intolerance of the flesh. In Clarence Brown's adaptation of EugeneO'Neill's Anna Christie (1930), Greta Garbo talks for the first time onscreen and earns an Oscar nomination for her efforts as the fallen young womanof the title who returns to her ne'er-do-well seafaring father after beingabandoned 15 years before. What she did all that time to support herself isrevealed after a young sailor proposes to her -- but she's vindicated and thepatriarchal society that lowered her is condemned. Prostitutes became personae non grata once the Hays Office took over inthe mid '30s, so Hollywood called them showgirls, or the non-specified femmesfatales of film noir, or, in the notorious case of From Here to Eternity (1953), USO workers. With the easing of moral restraints in the '60s, however,hookers once again could speak their name on screen, ushering in an onslaughtof films whose changing take on the subject of prostitution is a coy history ofour society's attitudes toward sex, gender, power, and money. Elizabeth Taylor and Audrey Hepburn started things off timidly enough with Butterfield Eight (1960) and Breakfast at Tiffany's (1961), respectively. In Daniel Mann's diluted adaptation of John O'Hara's Eight , Taylor plays a "model" with a taste for rich men and late hours;she will abide being called a tramp, but she won't accept the $250 hersocialite lover Laurence Harvey leaves her. Neither will he leave his sexless,devoted wife for her, and Taylor is duly punished for offering Harvey andaudiences a sexy alternative to drab middle-class existence (she would berewarded later, with an Oscar). As Truman Capote's Holly Golightly in BlakeEdwards's Tiffany , Hepburn evades, briefly, the strictures ofrespectable housewifery by flittering on the fringes of Manhattan society,earning her keep from men by, it would seem, being witty and fascinating. Inneither film are the nuts and bolts of the actual business referred to: theheroine's lifestyle merely seems somewhat mysterious, maybe a littledepraved. But certainly enticing -- for women as well as men. There's the great clothes,the idle luxury, the independence (just like a James Bond film); there's alsothe lure of sexual experimentation, self-abasement, maybe even romance.Hollywood in the '60s contented itself with suggesting the forbidden appeal ofprostitution, but European filmmakers like Jean-Luc Godard with 1962's Vivresa vie (and, in a sense, every film he's made) and Luis Buñuel withhis deliciously perverse 1967 classic Belle de jour exploredprostitution both as a manifestation of repressed desire and as an allegory ofthe movie industry in particular and capitalist society in general. American filmmakers tend to be more idealistic, if not more naive. Especiallywhen they're trying to be hip, as they were in the late '60s and early '70s.One prostitution myth that evolved in this period was theknight-in-shining-armor scenario, in which the hero rescues the heroine fromthe wicked pimps who enslave her. In so doing he also frees himself from allhis unacknowledged inhibitions, which makes for a happy or at leastclarifyingly tragic ending. In Herbert Ross's The Owl and the Pussycat (1970), nerdy would-be writer George Segal is tossed together with unbearablyshrill call girl and actress Barbra Streisand. Think Pygmalion : heimproves her vocabulary, she screws him and teaches him how to be himself. The pattern is much the same if dicier in Alan Pakula's Klute (1971),as small-town policeman Donald Sutherland squires big-city call girl Jane Fonda(another hooker role that turned Oscar gold) for information about thedisappearance of a prominent acquaintance. His tight-lipped repressivenessdoesn't long withstand Fonda's frisky savoir faire, and his straight-arrowvirtue proves more therapeutic to her than her psychiatrist does. The formulagoes sour, however, in the uncompromising assault of Martin Scorsese's TaxiDriver (1975), in which Robert De Niro's lumpen Sir Galahad fuses squalorand chivalry to save an unwitting, pubescent Jodie Foster in one of cinema'smost astounding scenes of sparagmos . Too bad the knight syndrome didn't come to an end with Travis Bickle's killingspree -- we might not have had to endure the demeaning, vastly popular treacleof Garry Marshall's Pretty Woman (1990). Richard Gere is a corporatebuccaneer who dismembers companies and sells the fragments. Julia Roberts ismore in the corporeal line, and their chance merger is mutually beneficial asRoberts learns which is the proper fork to eat with and Gere learns to have agood time and stop being pissed off at his father. Needless to say, the brutal realities of both businesses are airbrushed --what's the deal with Roberts's drug-addict friend, for example? And yet thefilm is quite matter-of-fact about prostitution's capitalist nature. As suchit's another in a long line of films that explore the profits and losses ofwhoring. Leave it to Billy Wilder to come up with one of the first, the saucy ifoverlong Irma La Douce (1963), in which gendarme Jack Lemmon loses hisjob and his heart to Shirley MacLaine's Parisian trollop of the title. On therebound, he becomes her pimp, but since he cannot bear to have her sleep withanyone else, he disguises himself as a wealthy English lord who just wants toplay solitaire. The lord becomes her sole customer, and in order to pay her --in fact himself -- Lemmon must work nights in a meat market. After taking onthe roles of capital, labor, and the aristocracy, he's left too exhausted toenjoy the object of his desire. A similar critique of capitalism might be read from Robert Altman's McCabe& Mrs. Miller (1971). At the turn of century on the West Coast,entrepreneur and gambler McCabe, played with raffish insouciance by WarrenBeatty, joins forces with brothel keeper and opium addict Mrs. Miller, playedby a luminously besotted Julie Christie. Together they transform a sleepybackwater into a frontier boomtown, only to attract the interest of corporatehonchos back east. The film concludes with one of cinema's greatest sequences,one that is simultaneously lyrical, tragic, and epic -- a rapturous and somberimage heralding the end of the frontier spirit and the beginning of Americancorporate capitalism. In the age of Reagan, though, the corporate types are the heroes, not the badguys, so pioneer McCabe gets replaced by preppie self-promoter Tom Cruise in Risky Business (1983). Left home alone in his ritzy Chicago suburb,Cruise avails himself of the services of hooker Rebecca De Mornay and in shortorder turns the family home into a brothel. That annoys the lower-class scumwho are the girl's pimps, and after some misfortunes involving a Steuben eggand a Porsche in Lake Michigan, she gets reformed and he learns a lesson beforeheading off to Princeton, presumably to learn to become a corporate raider likeRichard Gere. Ron Howard's half-witted Night Shift (1982) plays the same theme offthe old pairing of love and death. Henry Winkler is a morgue attendant who'stempted by moronic colleague Michael Keaton to take advantage of the slowlate-night shift by setting up a brothel among the stiffs. All works well --the boys make money and the girls get health benefits -- but Howard, likeLemmon in Irma La Douce , falls in love with the merchandise, starstablemate Shelley Long. Then there's the requisite threat from thelower-class-scum pimps that want in on the action. Not to worry, though: thetrue love of heart-of-gold Long enables Winkler to shake off his middle-classrepressed self and his respectable eating-disordered fiancée and haveeverything his way (his sending back a sandwich he didn't order is a dramatichighlight). Recent Hollywood efforts have taken thisrespectable- folks- turning- brothel- keepers to new smarmy heights. Prostitutionbecomes not just as another business but a reflection of and cure-all for thedysfunctional family. In Mighty Aphrodite (1995), Woody Allen ickilymirrored his own tabloid-blazoned scandals as the father of an adopted childwho tracks down its natural mother in a misguided attempt to heal his troubledmarriage and tweak his Oedipal curiosity. That the mother is a whore -- ascatological Mira Sorvino winning an Oscar by imitating Minnie Mouse -- says asmuch about Allen's trouble with women as Hollywood's inveterate misogyny. The unholy mother/whore combination can be seen in flagrante in RichardBenjamin's Milk Money (1994). A trio of scampish suburban kids puttogether a hundred bucks in change and ride their bikes to the big city. Therethey employ bimbo Melanie Griffith to show them her tits and give them a ridehome. One of the more annoying tykes is determined to hook Griffith up with dadEd Harris, a widower devoted to saving "the wetlands." The traditional avengingpimp turns up, of course -- not lower-class, this time, but Eurotrash BritMalcolm McDowell. Yet this marriage of suburbanite complacency andtransgressive urban sass is as inevitable as Griffith's cleavage. Although vastly inferior, Milk Money is reminiscent of Jonathan Demme's Something Wild . And not just because both feature Melanie Griffith in asundress. In Demme's masterpiece, she's Lulu, the spitting image of LouiseBrooks's archetypal prostitute from the Pabst silent film of the same name.(This latter-day Lulu's profession is left ambiguous.) She pounces ondown-on-his-luck corporate executive Jeff Daniels, who's lost his wife,furniture, and very likely his job when Lulu lures him through the HollandTunnel and on the road to an America Charles Kuralt never encountered. With RayLiotta in his first and finest performance as a psychopath who shows Daniels aglimpse of the dark side, Something Wild is exactly that, a rollickingvoyage through comedy and melodrama that discloses the savage face beneathgenial stereotypes. Demme's film also reminds us that, at their best (which is not often),Hollywood's movies about prostitution serve as a bridge -- in the case of Something Wild , a tunnel -- between the respectable and the forbidden,the repressed and the desired. In Leaving Las Vegas (1995), NicolasCage's sodden screenwriter abandons the glitz of LA for the desert of the titletown. There, at the bottom of cases of bottles, he finds call girl ElisabethShue. They fall in love, but neither reforms the other: he'll drink himself todeath; she'll sell herself until she's no longer desirable. They offer us noconsolation, and neither does the film. It takes the sweet beauty and theangelic attentions of Shue, in her Oscar-nominated performance, to make anaudience embrace those brutal truths. Which is Hollywood's way of showing thata hooker's heart of gold is in fact our own heart of darkness. Prostitution Theory 101 - A Boston Phoenix article on hookers The Boston Phoenix's Movies Archives Peter Keough Archives Film & TV: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 © 1995-99 DesertNet, LLC . The Boston Phoenix . Info Booth . Powered by Dispatch